AMS
Mezzo-soprano
AMS
Anne Marie Stanley
VIEW ANNE MARIE STANLEY'S PRESS AND FEATURES FROM RECENT PERFORMANCES
The Royal Opera at its very best: a new generation of singers excel in The Rape of Lucretia
As Lucretia, Anne Marie Stanley owns the stage (she covered Thurza in Glyndebourne’s recent The Wreckers, incidentally); her voice is powerful and yet can usher in the most remarkable vulnerability and, indeed, emotional pain as the work hurtles towards its tragic conclusion.
Review: THE RAPE OF LUCRETIA, Royal Opera House
Their vocal performances are all strong as a result with Anne Marie Stanley's Lucretia engendering a particularly haunting quality in her weighty vocal performance. Her Lucretia crumbles over the course of the opera, a descent from graceful splendour into jittery histrionics.
Anne Marie Stanley charted Lucretia's path from proud, chaste wife to broken, shattered victim of horrific violence unerringly, her warm emollient mezzo-soprano moulding Britten's vocal lines to perfection -Keith McDonnell
Stanley, with her rich contralto, is dignified, vulnerable and extraordinarily moving -Tim Ashley
Anne Marie Stanley
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