Anne Marie Stanley
Mezzo-soprano
Season Highlights
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Rosa Saks (cover) in Mason Bates' The Amazing Adventures of Kavalier and Clay at The Metropolitan Opera
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Principal Mainstage Debut as Maddalena in Verdi's Rigoletto at The Royal Ballet & Opera
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Role debut as Mistress of Novices in Puccini's Suor Angelica at The Kennedy Center
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Alto Soloist in Brent Davids Requiem for America with the BBC Symphony Orchestra at the Barbican Center
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Career Highlights
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2022 Grand Finals Winner of The Metropolitan Opera Eric and Dominique Laffont Vocal Competition
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Role and house debut as Octavian in Der Rosenkavalier at Staatsoper Hannover
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Role and house debut as the title in Benjamin Britten's The Rape of Lucretia at Snape Maltings and The Royal Opera House Linbury Theatre
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Role debut as Maddalena in Verdi's Rigoletto for The Royal Ballet & Opera Japan Tour 2024
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1st Prize Winner of the Loren L. Zachary Society in Beverly Hills, California
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Biographical Info
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Born on November 20, 1991
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Raised in Princeton, New Jersey
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Bachelor of Music in Voice Performance from Westminster Choir College
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Master of Music in Voice Performance from Rice University's Shepherd School of Music
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Resident Artist at Academy of Vocal Arts 2019-2022
Anecdotes
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Began undergraduate studies as a theatre major with emphasis in the works of Shakespeare
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Studied Laban movement and notation
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Regular dance lessons in modern, jazz, and ballet until beginning of undergraduate studies
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Very active in HIIT programs
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Favorite podcast is This Jungian Life
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Dog mom of a miniature Yorkshire terrier named Rosie
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Critical Acclaim
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As Lucretia, Anne Marie Stanley owns the stage (she covered Thurza in Glyndebourne’s recent The Wreckers, incidentally); her voice is powerful yet can usher in the most remarkable vulnerability and indeed, emotional pain as the work hurtles towards its tragic conclusion. -Seen and Heard International
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Anne Marie Stanley had the sort of deep mezzo voice that sends shivers down the spine in moments of tragedy. -Plays to See
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As Lucretia, mezzo-soprano Anne Marie Stanley sang with luscious tone and vivid dramatic presence -Opera Today
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Stanley fully inhabits the role by taking the audience on a dramatic journey from her initial privileged complacency to a deranged self-loathing -London Unattached
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Singing Lucretia, Anne Marie Stanley’s rich mezzo-soprano voice seems to come all the way up from her heart. -Culture Whisper
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The story of the Austrian Woman (sung phenomenally by Anne Marie Stanley) was gripping. -Trouw
